A Hope I Can Live With

This article was originally published on HowlRound, a knowledge commons by and for the theatre community, on September 20, 2016. I am a theatre director in an early stage of thinking about performance and climate change—more of an idea and question gathering place than a how-that-translates-to-process-and-dramaturgy place. This is a tour of some ideas. This past fall, I co-organized a conversation with Sarah Cameron Sunde and Moe Yousuf in conjunction with the Theatre Without Borders Conference. About twenty-five folks (across disciplines and nationalities) shared personal entry points to making real the massiveness of climate change; themes I remember include anticipatory grief, environmental racism, individual vs. collective agency, and tempered hope in human ingenuity and the earth’s resilience. Then, Sarah invited Moe to lead us in making pickles. Pickling framed our conversation in a longer experience of time, and it gave (some of) us a reason to meet again later to experience our (well, failed) pickles. Also thinking of a conversation I had with Dehlia Hannah.

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