Mary Kathryn Nagle is an enrolled citizen of the Cherokee Nation. She is a partner at Pipestem and Nagle Law, P.C., where she works to protect tribal sovereignty and the inherent right of Indian Nations to protect their women and children from domestic violence and sexual assault. She is also a successful playwright who has been using the stage to raise awareness about land sovereignty issues and the epidemic violence against women.
From 2015 to 2019, she served as the first Executive Director of the Yale Indigenous Performing Arts Program. Nagle is an alum of the 2013 Public Theater Emerging Writers Program. Productions include Miss Lead (Amerinda, 59E59), Fairly Traceable (Native Voices at the Autry), Sovereignty (Arena Stage, Marin Theatre Company), Manahatta (Oregon Shakespeare Festival, Yale Repertory Theatre), Return to Niobrara (Rose Theater), and Crossing Mnisose (Portland Center Stage). She has received commissions from Arena Stage, the Rose Theater (Omaha, Nebraska), Portland Center Stage, Denver Center for the Performing Arts, Yale Repertory Theatre, Round House Theater, and Oregon Shakespeare Theater.
Many thanks to Climate Citizen’s Lobby volunteer Melissa Giusti for introducing me to Mary Kathryn Nagle.
Next month: Environmental engineer and game designer Katie Patrick reveals the Big Mistake many artists make when taking on climate change.
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This article is part of The Art House series.
As host of Citizens’ Climate Radio, Peterson Toscano regularly features artists who address climate change in their work. The Art House section of his program includes singer/songwriters, visual artists, comics, creative writers, and playwrights. Through a collaboration with Artists and Climate Change and Citizens’ Climate Education, each month Peterson reissues The Art House for this blog. If you have an idea for The Art House, contact Peterson: radio @ citizensclimatelobby.org
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