Taiwan, the mountainous island off the southeastern coast of China, is officially known as the Republic of China (ROC). It
read more The Top 10 Most Pioneering Art/Sustainability Initiatives in…Taiwan
Empowerment: The Children’s Zero Waste Climate Quilt Project made its debut at the Cheshire Children’s Museum in Keene, New Hampshire
The Lower East Side of New York City has historically been a neighborhood of immigrants, a mad tangle of streets
read more The Living Stage: Building Possibility in the Age of Climate Change
Introduction to the Series, Imagining Water This post is the first in a year-long series on artists who are making
Climate change. Oil spills. Plastic islands. Deforestation. They await us every day in the information age. Images of violent storms
We are almost four full months into 2017, and already there have been multiple large-scale international public demonstrations, starting most
Before introducing Sarah Hall’s beautiful and important work, I feel compelled to describe briefly the rapidly evolving energy landscape within which she creates. For
For me, it was love at first sight: “Renewable energy can be beautiful.” Back in 2013, when I first saw
20th of January 2017. A friend from Indonesia calls me. Not for anything in specific, just a bit of friend-to-friend
“We are unstoppable, another world is possible.” One of my favorite rally cries from the Women’s March on Washington is carrying me through the first week of this bonkers administration. This phrase, and the experience of being surrounded by thousands of people showing up for similar goals, signified to me the possibility for a sustainable future. The creativity on display, through signs, costumes, and performance, contributed to the impact of the weekend. These displays offered intersectional perspectives – the Women’s March was in no way solely about women, but about the equitable and just world that we want to live in, despite what the people in power have in mind. Walking out of the D.C. Metro on Friday, January 20 was like entering a ghost town. No cars, very few people, eerie silence. There was the familiarity of red, white, and blue, of a Starbucks on every corner. Familiar, but not comforting. These symbols of nationalism and consumerism are not
read more Another World Is Possible: Displays from the Women’s March
