Indonesia: Country of the Future
20th of January 2017. A friend from Indonesia calls me. Not for anything in specific, just a bit of friend-to-friend
20th of January 2017. A friend from Indonesia calls me. Not for anything in specific, just a bit of friend-to-friend
When you experience something that ticks you off, I’d recommend doing a project on it. I was stuck in ankle-deep
read more Turning Sewage into Soaps: The Sewer Soaperie by The Apocalypse Project
She was a tiny clot of earth, a nano particle of something finer than clay, finer than silt, but soil nonetheless. She was ancient with memory rushing though gills, feather, bone and gullet. She rubbed against scales, swallowed spore of dinosaur plants, arctic tundra and Devonian rocks. The ingestion of millions of earth years all held in one big watery sponge of memory. It adhered to her, refused to let go, to be absorbed by some other fleeting jolt of reality. It would not dissolve in those acidic depths, nor would it break up or break down. It just remained. It was the taste of infinity that knew no definitions between plant or animal, organic and inorganic, human or non-human. Her hair turned copper red, her skin became dark brown leather, creased at the edges of dreams, slipping in and out of viruses, bacteria and the DNA of a million frozen glaciers. She had become that, and all, a cosmic
read more The Carbon Lab – An Anthropocene Conversation Between Artists
Many island nations of the Caribbean and coastal regions of the Eastern U.S. are particularly threatened by damaging climate change impacts like sea level rise, increased storm surges, and loss of local aquatic ecosystems. Many adaptation measures could be taken to spare life and property in these threatened areas, but climate change skepticism and a poor understanding of the science remain a major barrier to meaningful action. In order to address this gap in understanding my partner, hydrologist Zion Klos, and I are embarking on a year-long sailing expedition, and art and science collaboration called Climate Odyssey. Upon our departure in late June, we’ll begin photographing climate change impacts and adaptation strategies, interviewing stakeholders, politicians, scientists and artists, and visiting classrooms and community groups while we sail our 34’ catamaran along our route. I’ll compile the images and information we gather into an interactive map on our website, creating an accessible resource built to communicate the urgency of coastal climate
read more Climate Journeys Part III: Creating a Map of Coastal Climate Change Adaptation
Shall I not have intelligence with the earth. Am I not partly leaves and vegetable mould myself? —HD Thoreau ‘Walden’,
I can’t imagine a more inspiring place to celebrate Earth Day/Week/Month 2015 than Melbourne, Australia. This year, CLIMARTE has organized a month-long arts
For International Women’s Day 2015, we celebrate Maya Lin, the artist, sculptor and architect whose What is missing? foundation and ongoing multimedia
With March being #IWD month, I’ve spent several days scouring the internet for inspiring stories of creative women using their art to raise awareness about climate change. Here are two videos — one from the west coast, one from the east coast — which highlight the important contribution that women artists are making to the global climate change conversation. Australian Margaret Wertheim’s amazing TED talk describes the global hyperbolic Crochet Coral Reef (CCR) project which she and her twin sister Christine created and curate through their Institute For Figuring (IFF) in Los Angeles, California. The CCR is an ongoing, experimental, participative feminine handicraft project that re-creates coral reefs using the technique of “hyperbolic crochet“. Below are two images from the IFF’s Crochet Coral Reef website, reprinted here with permission: According to the IFF website, this unique fiber arts project is “the nexus of maths, handicrafts, environmentalism, community art, feminism and science” and, simultaneously, “a testimony to the disappearing wonders of the marine world” due to climate change,
This information was shared with me by Natalie Driemeyer. Hearing about the festival and seeing the amazing photos that Natalie sent
UK artist Stephen Turner, whose work “often involves spending long periods in odd abandoned places, noting the changes in the